Originally developed by the bass playing engineers at LR Baggs for their own use, the Stadium Electric Bass DI infuses your signal with a blend of studio-grade circuitry and a vibrant palette of unique, tone shaping tools.
The ‘60s and ‘70s are widely recognized as the heyday for professional recording console design. The EQ and preamp sections of these near-mythical vintage consoles are highly sought after, even to this day. Some of the most iconic guitar and bass tones in the history of recorded audio were tracked “direct” straight into these consoles’ channel strips.
The Universal Audio 4-710D is a boutique quality, four-channel microphone/line preamplifier with unique tube and solid-state tone blending capabilities — perfect for a wide range of microphone and instrument sources.
The Xvive P1 Portable Phantom Power Supply is a low-noise, 12V / 48V power supply. It runs on an internal rechargeable battery and has enough power to run high-current microphones. The P1 allows you to use microphones and devices that require external power in any setup.
If you are looking for a preamp to improve and shape your signal you will most definitely love the WA12 MKII. The WA12 MKII is designed to transform plain instruments and vocals into exciting tone. If your mixes lack depth, struggle to sound alive, or are just missing that professional touch you’ve always wanted, there is a good chance you will love the WA12 MKII.
The Tone Beast is a great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound at its price.