Guided by the design strokes of luthier Andy Powers and the manufacturing expertise of Bob Taylor, Taylor has reconceived its flagship rosewood/spruce 800 Series, infusing it with a sweeping array of tone-enhancing refinements. Virtually every element of the guitar’s material construction was optimised: bracing, wood thicknesses, glues, finish, strings and acoustic electronics, topped off with a refreshed design aesthetic. The end result is the perfect type of musical celebration: a more inspiring playing experience.
While there are certain core qualities that Andy Powers says he strives to bring to any guitar — volume, sustain, clarity, uniformity of character — one of his driving goals in redesigning the 800 Series was to accentuate the unique characteristics of each different shape. “I want these models to have a family resemblance, but I don’t want them to sound the same,” he says. “I wanted to consider the 812ce, for example, not as it relates to the 810ce, but as it relates to itself.”
The resulting tonal distinctions between each shape, Bob Taylor feels, are far from subtle. “I think players will really enjoy experiencing these new guitars and comparing different models,” he says. “In a way, there’s a rebirth of every one of them.”
Leading the way for our newly redesigned Grand Symphony body shape, the Builder’s Edition 816ce highlights the transformative Taylor design philosophy with lovingly crafted contours, an expansive acoustic tone, and player-focused enhancements.
This cutaway 12-fret Grand Concert blends incredible playing comfort — the result of the compact 12-fret design, slinky handfeel, and an ergonomic radius armrest — with a tonal response that’s impressively bold, warm and punchy for its intimate body size.